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duetsdove
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Re: Traces (revision2)
Reply #2 - Jun 5th, 2013 at 11:01pm
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R.C James wrote on Feb 19th, 2013 at 12:20pm:

You exhausted the source, deserted the dig, 
it was the mother lode you abandoned. 

I'm not sold on these opening two lines. . .let us "see" that the other deserted.  Perhaps the mother lode metaphor can be brought in as culmination toward or at the end

Something close to alchemy worked for us, 
recall the sequence, moment to moment, 
the pauses, the lapses, air traced 
as you defined voluptuous. 

Yes, I like the first line of this stanza. . .in fact, it would likely make a good opening for the work -- the jump from past tense "worked" to present "recall" is jarring. . .I can see what you're trying to get at but it will need some smoothing out

That rich vein blinded us on discovery, 
consumed us in riches we both held 
but had never fully staked. 

Rich vein of ???  And why were they never fully staked?

Witnesses report how children delighted 
at your Buster Keaton ballet in the rain, 
how morning arrives for you on common stone. 

This stanza has promise. . .why the switch here from past to present tense?

Obdurate onyx revives itself from dead quarries. 
Any relevant claim has vanished. 

It is difficult to reconcile onyx reviving itself with the rest of the work, too vague. . .

I certainly see potential for an interesting metaphor. . .thanks for the read!






(orig.)

Once glittering gems 
we dug bare-handed 
from abandoned mines 
are covered with dust. 

You deserted the dig, 
the mother lode; 
the source is exhausted. 
I can’t find a way 
out of the blank trace. 

Recall the sequence, 
moment to moment, 
when alchemy worked for us. 
First the pauses, the lapses, 
then our separation; 

you turned away from 
that rich vein that blinded us 
on discovery, set us languishing 
In riches we both held 
but had never fully claimed. 

Witnesses report, after the break, 
how you delighted the children, 
whose eyes held treasures 
in the rain, as morning came to you 
on a narrow walk of common stone. 

I feel absence of color 
inside me, all around me. 
Obdurate onyx lies here with me 
in this dead quarry. 
My claim has vanished.

  
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nas
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Re: Traces
Reply #1 - Feb 20th, 2013 at 10:31pm
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I like the metaphor for the ending of the relationship  -mining for gems and exhausting the supply, though I think you could go further with its use and focus.

A few thoughts, use or lose as you wish.  Thanks for the read, enjoyed.

Quote:
Once glittering gems
we dug bare-handed
from abandoned mines
are covered with dust.

You deserted the dig,
the mother lode;
the source is exhausted.
I can’t find a way
out of the blank trace.  <--to me this doesn't quite follow from the source is exhausted.  She abandoned the dig.  Was it because the source was exhausted?  Did he carry on digging dust long after she saw the futility?

Recall the sequence,
moment to moment,
when alchemy worked for us.  <--should it be stopped working?
First the pauses, the lapses,
then our separation;  <--not sure pauses, lapses and separation continue the metaphor of the alchemy. 

you turned away from
that rich vein that blinded us
on discovery, set us languishing
In riches we both held
but had never fully claimed.  <--"you turned away from that rich vein
that blinded us with riches we held but never fully claimed"


Witnesses report, after the break,
how you delighted the children,
whose eyes held treasures
in the rain, as morning came to you
on a narrow walk of common stone. <--to me this seems to go off on a tangent from the metaphor

I feel absence of color
inside me, all around me.
Obdurate onyx lies here with me
in this dead quarry.
My claim has vanished.<--vanished feels a bit weak
  
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R.C James
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Traces (revision3)
Feb 19th, 2013 at 12:20pm
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Traces

A fervency, close to alchemy, purified us;
recall the sequence, moment to moment,
the pauses , the lapses, air traced
as you defined voluptuous.

Passionate miners, we dug gems bare-handed
from the abandoned mother lode.
The rich vein blinded us on discovery,
consumed us in riches, but, source exhausted,
you deserted  the claim.

Witnesses report how children delight
at your Buster Keaton ballet in the rain,
how morning arrives for you on common stone.









You exhausted the source, deserted the dig, 
it was the mother lode you abandoned. 

Something close to alchemy worked for us, 
recall the sequence, moment to moment, 
the pauses, the lapses, air traced 
as you defined voluptuous. 

That rich vein blinded us on discovery, 
consumed us in riches we both held 
but had never fully staked. 

Witnesses report how children delighted 
at your Buster Keaton ballet in the rain, 
how morning arrives for you on common stone. 

Obdurate onyx revives itself from dead quarries. 
Any relevant claim has vanished. 





(orig.)

Once glittering gems 
we dug bare-handed 
from abandoned mines 
are covered with dust. 

You deserted the dig, 
the mother lode; 
the source is exhausted. 
I can’t find a way 
out of the blank trace. 

Recall the sequence, 
moment to moment, 
when alchemy worked for us. 
First the pauses, the lapses, 
then our separation; 

you turned away from 
that rich vein that blinded us 
on discovery, set us languishing 
In riches we both held 
but had never fully claimed. 

Witnesses report, after the break, 
how you delighted the children, 
whose eyes held treasures 
in the rain, as morning came to you 
on a narrow walk of common stone. 

I feel absence of color 
inside me, all around me. 
Obdurate onyx lies here with me 
in this dead quarry. 
My claim has vanished.
« Last Edit: Jul 7th, 2013 at 7:28am by R.C James »  
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