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Normal Topic Wait... Listen in Silence  [ REVISION #3 ~ 15 Jan ] (Read 251 times)
Just_Daniel
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Norm... Revision #3
Reply #7 - Jan 1st, 1970 at 12:00am
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Normpo wrote on Jan 1st, 1970 at 12:00am:
Daniel,

Congrats on the nomination --

This may only be a "Norm" thing, but these three lines just seem out of synch with the rest of the pem:

"for heaven’s sake— 
don't view mere stark data 
chugging in through our fax machine."

Aside from "for heavn's sake" being cliche (though I understand the deliberate use of it as such and its duality), these line seem so mundane so "conversational". The whole office metaphor seems so out of place and ordinary when considering the rest of the poem.

I think you have a valid point here, at least in part.  I've reworked the metaphor some, and I'd appreciate your further insight on the matter.  Thank you.

Like I said, this may just be me and maybe you can seek other input on my misgivings about the lines. But you wanted our crit, so that would be a nit I would offer.

Norm

... and as I mention to Mary, I've just posted a third revision! 

Always deLighting in thoughtful crit, Daniel  8)
  
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Just_Daniel
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Mary...
Reply #6 - Jan 1st, 1970 at 12:00am
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Quote:
Daniel

Well done revision!

One small thing.  In the second one, Line 4 I believe, you have a double word "must must"

Simply a typo I know but I wanted to let you know since this was nominated at MM --

congratulations on the nomination and let us know how it turns out...

Mary

Thank you, Mary.  You're quite right about the typo...

and I've done a further revision too now.  I'll keep you posted; stop back any time!

deLighting in the process, Daniel  8)
  
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Re: Wait... Listen in Silence  [ REVISED 1/09 ~ Th
Reply #5 - Jan 1st, 1970 at 12:00am
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Daniel,

Congrats on the nomination --

This may only be a "Norm" thing, but these three lines just seem out of synch with the rest of the pem:

"for heaven’s sake— 
don't view mere stark data 
chugging in through our fax machine."

Aside from "for heavn's sake" being cliche (though I understand the deliberate use of it as such and its duality), these line seem so mundane so "conversational". The whole office metaphor seems so out of place and ordinary when considering the rest of the poem.

Like I said, this may just be me and maybe you can seek other input on my misgivings about the lines. But you wanted our crit, so that would be a nit I would offer.



Norm
  
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Re: Wait... Listen in Silence  [ REVISED 1/09 ~ Th
Reply #4 - Jan 1st, 1970 at 12:00am
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Daniel

Well done revision!

One small thing.  In the second one, Line 4 I believe, you have a double word "must must"

Simply a typo I know but I wanted to let you know since this was nominated at MM --

congratulations on the nomination and let us know how it turns out...

Mary
  
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Just_Daniel
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Revision #2 ~ begging for further help... feedback
Reply #3 - Jan 1st, 1970 at 12:00am
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Greetings, all... I'm still looking for further critique on this piece, since I'm a potential candidate to represent MM as one of their submissions into February's interBoard Poetry Community (IBPC) Competition.  At least it's been nominated...

so any help you can offer will be appreciated.

I just posted my second revision/correction.

appreciating your Light, Daniel  8)
  
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Just_Daniel
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Holly...
Reply #2 - Jan 1st, 1970 at 12:00am
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pandatronic wrote on Jan 1st, 1970 at 12:00am:
I enjoyed these Rictameters, though I'm not quite sure of the situation described and the meaning. It's a realtionship in crisis, is what I can gather.

I leave the 'situation' up to the reader, since I HOPE that it can be read from at least two different vantage points.  The main idea however, is from the vantage point of another listener who's learned the value of patient, empathic, interactive listening, eyes wide open... sharing that treasure with others desiring to be people-helpers.

Thanks for posting this. I tried to write Rictameter myself, but not as successfully as this.

Holly  8)

You're VERY welcome...

and thank YOU for your very valuable perspective.  re 'FAX'... I had erroneously thought that that was how it was spelled... until I looked it up.  I guess I'd thought it was more than just short for facsimile; I thought it was also an acronym for something!  Grin

re the curtains, yes you caught the image... the typical closing off from view of some painful, unresolves issue(s) inside that are NOT going to come out until the individual sees that the potential helper is capable of at least listening with a heart open to HEAR.  The listener who is merely data-gathering is not going to have entrance... and is not going to be providing light that will be let in.

I hope you'll see that my rather extensive revision takes into consideration your excellent and helpful observations.

deLighting in your sharing, Daniel  8)
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Re: Wait... Listen in Silence
Reply #1 - Jan 1st, 1970 at 12:00am
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I enjoyed these Rictameters, though I'm not quite sure of the situation described and the meaning. It's a realtionship in crisis, is what I can gather.

Just_Daniel wrote on Jan 1st, 1970 at 12:00am:
Wait… Listen in Silence

Waiting
so we might see
what his clenched fingers cry
through flared nostrils… pain-tinted eyes
whispering with shoulder-shrugs… her bowed head
daring hope with a hopeless glance.

The line above is a nice example of rhetorical repetition, which seeing as I read Renaissance literature at university, is rather pleasing to me  Smiley

Patient—we must sit… still
to feel what’s been
weighting.

Weighting on what? The sentence feels incomplete, though it could be part of the effect.

Listen
for heaven’s sake—
it’s more than taking data
that is sent through our FAX machine;

Why did you capitalise fax?

though we’ll also transfer, process, translate,
runes shrouded in sinew and veins
will pour forth, bristling There are only 5 syllables in this line. 'Bristling' is one only two syllables when read aloud by me. Consider revision.
when we truly
listen.

Not sure I like the runes image, it seems a bit too archaic and mystical following the image of a fax machine, and it jars a bit. A more ambiguous image like 'signs' or 'codes' or 'signals' would be better.

Silent
eyes can breathe hope
through tight-shuttered windows
shattered from storms still a memory, Depending on how you say it, this line has 9 syllables.
duct taped over with bloody-gauze curtains,
Interesting image, why curtains? I'm guessing it's because curtains shield the public world from the private, and that the emotional violence in the relationship is starting to show through?
shedding Light when the power’s off,
warmth in a brick-cold hearth,
I love the domestic images here.
Love that won’t stay
silent.

© MLee Dickens'son 04 Jan 2007


Thanks for posting this. I tried to write Rictameter myself, but not as successfully as this.

Holly  8)
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Just_Daniel
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Wait... Listen in Silence  [ REVISION #3 ~ 15 Jan ]
Jan 1st, 1970 at 12:00am
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Revision 3 1/15
Wait… Listen in Silence

Waiting
so we might see
what his clenched fingers cry
through flared nostrils… pain-shaded eyes
whispering with shoulder-shrugs… her bowed head
daring hope with a hopeless glance.
Patient—we must sit… still
to feel what’s been
weighting.

Listen
for heaven’s sake—
hearing’s more than data
we chug in through our fax machine; 
as we transfer, processing, we translate
codes shrouded in sinew and veins;
pathos pours forth, bristling
when we truly
listen.

Silent
eyes breathe warm trust
through tight-shuttered windows
shattered from storms still a mem'ry,
duct-taped over with bloodied gauze curtains;
they'll give Light when the power’s off,
warmth to a brick-cold hearth,
Love that won’t stay
silent.


© MLee Dickens'son 04 Jan 2007

in Revision 2

S2L3 don't view mere stark data 
S2L4 chugging in through our fax machine
S2L5 We also must transfer, process, translate

in Revision 1 [ thanks, Holly ]

S1L4 through flared nostrils… pain-tinted eyes

S2L3-7 
that's more than tending data
chugging in through our fax machine;
though we must transfer, process, translate
codes shrouded in sinew and veins,
words will pour forth, bristling


S3L2 eyes breathe fresh hope
S3L4 shattered from storms still a memory,

[ Though there's always a tension between allowing the reader to leave off the syllable,
and suggesting it with an apostrophe... since modernists frown on such... 
then tell you it's too long.  It's a lose/lose proposition!
Lips Sealed ]


Original

Waiting
so we might see
what his clenched fingers cry
through flared nostrils… pain-tinted eyes
whispering with shoulder-shrugs… her bowed head
daring hope with a hopeless glance.
Patient—we must sit… still
to feel what’s been
weighting.

Listen
for heaven’s sake—
it’s more than taking data
that is sent through our FAX machine;
though we’ll also transfer, process, translate,
runes shrouded in sinew and veins
will pour forth, bristling
when we truly
listen.

Silent
eyes can breathe hope
through tight-shuttered windows
shattered from storms still a memory,
duct taped over with bloody-gauze curtains,
shedding Light when the power’s off,
warmth in a brick-cold hearth,
Love that won’t stay
silent.
« Last Edit: Jan 1st, 1970 at 12:00am by »  
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