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Shadow_Angel
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Joined: Dec 26th, 2006
Re: Glosa/glose
Reply #1 - Feb 16th, 2007 at 1:55am
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~   Hiya Alien...  Smiley

I too, have only 1 attempt at Glosa... 

the example you share above is stunning...
personally I found this form hard going....
but I was thrilled when I finally finished it  Smiley

thank you for sharing, my friend 

*hugs*

Sasha xx  Smiley




And death shall have no dominion. 
dead men naked they shall be one 
with the man in the wind and the west moon, 
when their bones are picked clean and the clean bones gone
(Dylan Thomas: And death shall have no dominion)




Song of the Black Swan


Forked tongues spit fire unto the night
where the lost drink shadows before dawn,
and they boast of how far the angel fell,
all too beautifully by their twisted hand
his side, stained by the dark of woman,
long shadow stench dusts off her minion
and bows low to the leviathan, and
her lyrical sycophant steps up to the mic
preaches to many, so full of his own opinion,
and death shall have no dominion.

They milk the moon of darkest gossamer
for the strutting inchworm born of mud,
and they turn their warted backs to the light
as their choir squawks its chorus, off key,
how they struggle, with jelly spines, to stand
clamoring to hear filigree come undone
crowns slip, to choke the breath of knowledge
from the shriveled breast of leviathan’s bride
and they of mixed stature will face the longest run
dead men naked they shall be one

Truth comes wrapped in tribal mink, dripped to skin
as thigh high boots step her velvet-woman-singing
and she laughs as they squirm in their homemade filth
their tongues split wide open to spill the sickest ink
wailing to a moon that turns her back in shame
the hidden children of dark hollows, swoon
while the pearl tattooed inner thigh of light, speaks
in karma tongue breezes to soothe the wicked, and
midnight drips slow and sultry to a southern dune
with the man in the wind and the west moon

Dare they not dance in the shadows of dream
where the elements mumble their voice in corners
the promise of trespass will see them soon blind
swimming in circles where flames dance on poles
sinners and schemers sit high on the mountain
self-crowned deity, seeking prey to swoop upon
but the willow eyed, smile wide, as the mountain crumbles
there’s nothing so satisfying as watching them fall
darkness bleeds thick to the song of the black swan
when their bones are picked clean and the clean bones gone


© Sasha ‘06





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« Last Edit: Feb 16th, 2007 at 1:56am by Shadow_Angel »  
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alien
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Still so much to learn...

Posts: 367
Location: Australia
Joined: Aug 2nd, 2003
Glosa/glose
Aug 5th, 2003 at 3:12pm
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A  form (of Spanish origin), the glose has found acceptance in Central and South America as well, but has never encountered much favour in other linguistic areas. 

It consists of two parts: the opening quatrain (or texte), often written by someone different from the author of the rest of the piece, and a body consisting of 4 strophes of ten lines each.

Each strophe should end with the corresponding line of the texte: the first strophe ends with the first verse of the texte, the second strophe with the second line ,and so forth. 

The first line of the borrowed quatrain becomes Line #10 of S1. 
The second line of the quatrain becomes Line #10 0f S2. 
The third line of the quatrain becomes Line #10 of S3. 
And the fourth line of the quatrain finishes ends up as Line #10 of S4. 

As for rhymes? There are several different methods. 
The one that seems to allow the most flexibility (always a good thing!) goes as follows. 

S1L6 and S1L9 must rhyme with S1L10, 
S2L6 and S2L9 must rhyme with S2L10, 
S3L6 and S3L9 must rhyme with S3L10, and 
S4L6 and S4L9 must rhyme with S4L10. 


The following is by Porter Garnett with the texte (opening quatrain) by E Fitzgerald

'A book of verses underneath the bough
a jug of wine, a loaf of bread and thou
beside me singing in the wilderness
oh, wilderness were paradise enough'


Oft have the footsteps of my soul been led
By thee, sweet OMAR, far from hum, of toil
To where the Chenar trees their plumage spread
And tangly vines of wild-grape thickest coil;
Where distant fields scarce glimpst in noon content,
Are lush with verdure quick upon the plough;
Where trull of Nightingale beneath the Tent
Of heaven sinks away to soft lament;
There have I sat with Thee and conned ere now
A book of verses underneath the bough

When from the city's raucous din new-freed
I quaff thy wisdom from the clearing Cup
Of rubáyát, then, even as I read,
I seem with Thee, in Persian groves to sup
On bread of YEZDAKHAST and SHIRAZ Wine
That lifts the net of Care from the brow.
These words, that tongue, the Spirit of the Vine,
Break from the Veil, and lo! the Voice is thine:
Then is my wish -- would Fate that wish allow!
A Jug of Wine a Loaf of Bread -- and Thou.

Although I tread the Wilderness of life,
Thy song can waft me to that careless clime,
Where enter in nor memories of strife,
Nor ghosts of woe from out of the Gulf of Time.
There, by thy side, great OMAR, would I stray,
And drink the Juice that has forgot the Press,
(A Pot, the Potter shaped but Yesterday --
To-morrow will it be but broken Clay?)
With only Thee the toilsome road to bless,
Beside me singing in the Wilderness.

When Thou dost scorn the waste and mourn the Rose,
That dies upon the world's too sinful breast,
In thy disdain a wondrous beauty glows,
Unfolding visions of a Life more blest.
Then from NAISHAPUR in KHORASAN
I seem to wander, though I know not how,
Within the glittering gates of JENNISTAN,
Supreme SHADUKIAM I wondering scan:
Though still I walk in the Wilderness, I wow -- 
Oh, Wilderness were Paradise enow!


My first (and only, attempt so far) can be dissected in the 'firebox' forum.

Take care.

alien


« Last Edit: Jul 27th, 2009 at 6:50pm by Just_Daniel »  
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